She’s also very concerned with structure and uses an example of walking into the woods, especially if you’re not used to the woods, there’s a tension; perhaps you’re a bit nervous about what you’ll run into or where you are or if you’ll get lost, a state of hyper-sensitivity. She likes creating these types of feelings in her viewers. She likes to have what she calls a “multivalent thing happening”, which allows the viewer to question what they’re looking at—“so that sensation takes over more than the thought”.
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